How often have we pipers been told to “blow steady” or that our chanter notes or drones are “wavering” in and out of tune while we’re playing? On the other hand, how can other pipers seem to blow so steadily that one can barely see their arm move?
Blowing steadily and consistently at the chanter reed’s sweet spot is a learned task. Involves mastering a “trifecta” of skills: Identifying the exact pressure we want to blow steadily at, well-coordinated physical blowing skills, and the ability to avoid mental blowing anomalies caused by our brains as we try to navigate the difficult fingerwork of
How often have we pipers been told to “blow steady” or that our chanter notes or drones are “wavering” in and out of tune while we’re playing? “Steady blowing” is a learned skill, and for most of us pipers it does not come naturally. As a matter of fact, most of the world’s population of
A water manometer is an extremely useful tool that can help us to achieve several fundamental goals in piping, including blowing at the correct pressure for our chanter reed with calibrated drone reeds, and with steady blowing. This article will focus only on the first goal, blowing at the correct pressure. Subsequent articles will cover
Many who are reading this may consider that the title above is pure heresy, because, after all, we pipers have been consistently admonished to "blow steady"! Of course a bagpipe has to be blown steadily—it’s the essence of the instrument, right? Why would we not believe that blowing steady should be our primary objective when
If you are a member of Dojo University, or have visited the site, you have no doubt heard about a water manometer. You will also understand what a worthwhile tool it is that can help us to achieve several essential goals in piping, including blowing at the chanter reed’s sweet spot, calibrating our drone reeds,
When first looking at a new tune, how many of us get out our practice chanter, take a few deep breaths, and start plowing our way through the entire first part, or goodness knows, the entire tune? It’s a new tune, so it must be OK to sound a bit sloppy at first, right? Those embellishments will come around over time, I’m sure, after I’ve played the tune a few hundred times. And besides, I’m so good already that I don’t need to use a metronome! Unfortunately, these statements describe too many novice and intermediate level pipers. So, let’s take a look at a logical, proven, and reliable way to approach a new tune.