Bruce Gandy - Learning New Tunes [Vintage]

Bruce Gandy
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118
Bruce shares some great advice on getting your head and hands around new music. In this class, you'll run through some of Bruce's proven methods for learning new tunes and getting them memorized. Bruce shares some best practices and how to adapt them to suit your own style of learning.

Sight-Reading Tips [Vintage]

Vin Janoski
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47
Vin walks through some fundamentals and small "drills" to identify the weaker areas of your own sight reading skills, then goes into detail about strategies and tricks that will beef up those areas and "level-up" your sight reading skills.

Rising Above the Typical Challenges with Sight Reading - Andrew Douglas (Basic)

Andrew Douglas
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29
Musical PassageSight reading is one of the biggest enthusiasm killers in bagpiping. Just like reading English as kids - it takes time, practice, experience, and arguably a bit of talent to learn to read words on the page (just speaking aloud, of course, is much easier). There are several key tips to sight reading that I use on a daily basis, and that I try to instill in all of our students: 1) Forget Note Names. The biggest trick for me is to forget note names altogether. Instead, think about relativity. In other words, where is my next note relative to where I am right now? Often times, it'll simply be 1 note up from where you currently are. Or maybe 2 down. But that's easy to navigate, especially after a little bit of practice. Way harder is to name a note, think about the fingering of the note, and then transfer to that note. Practice using relativity when you sight-read. 2) Use Note Shapes I learned about note shapes in composing school, and instantly realized how valuable it is to think about when sight reading bagpipe music. In a passage, observe the general shape of notes to come. For instance:
  • Notes rise gradually
  • Notes fall gradually
  • Notes rise sharply.
  • Notes fall sharply.
  • Notes form an upward curve (they go up and then down again)
  • Notes form a downward curve
  • ...what other shapes might there be (probably not too many other shapes....)
See? Once we learn to recognize just a few note shapes, we now have MAJOR clues as to what our fingers will be up to in the upcoming moments. 3) Learn The Basic Rhythmic Figures I've learned to see all notes as 1 of 3 possible rhythmic "figures" - an even note, a dot-cut combo, or a cut-dot combo. It's very rare to find any figures whatsoever that don't fit into this group of 3. Once I know my figures, I'm never surprised by a rhythm that pops in front of me while sight reading, and I know how to handle the rhythm. 4) Stay Ahead of the Bouncy Ball Lastly, do you know that bouncy ball that follows the words in any Disney sing-along? That shows us what we should be playing/singing at any given moment, but really we all know that we need to read a few words ahead at all times to get a smooth musical flow out of our singalong. Well, be sure to do the same thing while sight reading. Stay a few notes ahead with your eyes as you sight read.... it'll really help! Have a look at the class we taught on this subject in December of 2013!
In this class, we look at several of the key sight reading concepts needed to be successful - let's simply things so we can be super efficient.

Technique Development [Vintage] Rhythms [Vintage]

Marc Dubois
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12
In this session we break down all dot cut idiom tunes into 4 basic rhythms - one set for common time and one set for compound time. We seek out and identify these rhythms and write them in on the music. We also practice clapping these rhythms making sure that they are transferred over to our fingers on the chanter. Come take a look!