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Visualizing ALAP/ASAP—Part 1

Mark Olson
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1.87K
On the bagpipe, we cannot play a note with more volume in order to add expression to a phrase. Indeed, our goal is to play at a steady pressure so that the pitch of the chanter and the drones remains constant. Nor do we have techniques such as staccato or legato available to us on the Highland bagpipe. On the Highland bagpipe, we express our music by holding notes longer than we would normally hold them, playing them As Long As [Musically] Possible (ALAP) and playing contrasting notes As Short As [Musically] Possible (ASAP).

Visualizing ALAP/ASAP—Part 3

Mark Olson
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262
On the bagpipe, we cannot play a note with more volume in order to add expression to a phrase. Indeed, our goal is to play at a steady pressure so that the pitch of the chanter and the drones remains constant. Nor do we have techniques such as staccato or legato available to us on the Highland bagpipe. On the Highland bagpipe, we express our music by holding notes longer than we would normally hold them, playing them As Long As [Musically] Possible (ALAP) and playing contrasting notes As Short As [Musically] Possible (ASAP).

Visualizing ALAP/ASAP—Part 2

Mark Olson
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354
On the bagpipe, we cannot play a note with more volume in order to add expression to a phrase. Indeed, our goal is to play at a steady pressure so that the pitch of the chanter and the drones remains constant. Nor do we have techniques such as staccato or legato available to us on the Highland bagpipe. On the Highland bagpipe, we express our music by holding notes longer than we would normally hold them, playing them As Long As [Musically] Possible (ALAP) and playing contrasting notes As Short As [Musically] Possible (ASAP).